One of the central features of any animated production is the character that populates it. You provide the vision for those characters. A skilled animation company sharpens that vision and brings it to life. There are many ways in which the animator develops characters perfectly suited for whatever type of project you need, from advertising animation to educational animation and more. The following are just a few of the valuable contributions the 2D animation studio can make to character design.
Target The Desired Audience
The exact look and feel of any animated project depends in large part upon the audience for which it is intended. For instance, an educational program geared toward children would use bold patterns and bright colors, whereas an animated explainer video for business executives would use more restrained design elements. The studio you choose Animeonline to provide animation for your project will enhance its effectiveness by creating characters that are appropriate for the audience you wish to reach.
Animation studios will help you define the correct style for your audience right from the start by also providing you with concept design services. These services formulate vague ideas into a specific overall style. A skilled team of animators can walk you through the development of your concept and then create unique characters that fit both your vision and the audience who will be enjoying the finished product.
Visually Depict Personality
Each character in your animated project will have a distinct personality. This personality is one of the traits that will set them apart from the animated characters already out there. Through concept design and character design, your animation partner will work with you to determine the personality that each character possesses. Developing this personality may involve creating a back-story to give them history and depth. The animator will then use this background to inform their understanding and development of the character.
The animator will use their skills to take the traits that were fleshed out earlier in the process and visually depict them in the character’s body shape, facial expressions, and movements. For instance, the animator will use lines to create a body for the character that reveals their personality. Soft lines may denote gentleness, while sharp corners may reveal stronger or negative aspects of the character’s personality. Animator Moritz Schneider, for instance, explains that he used sharp edges on one of his characters to depict that character’s hidden strength and integrity. These sometimes subtle design elements convey to the viewer aspects of the character’s personality that may not be explicitly articulated in the dialogue or actions and give him or her added depth and intrigue.
In addition, the animator will use design elements such as accessories and colors to reveal a character’s thoughts, feelings, and preferences. These elements can become integral parts of the character. For instance, the yellow complexion of the Simpsons has become their trademark look, one of the reasons they first captured viewers’ attention. Reds and blues can convey a sense that the character has something in common with comic book heroes, while dark colors will give viewers the impression that the character has some less than pleasant aspects to his or her personality. Accessories can give viewers a glimpse into the character’s circumstances (such as whether they are rich, stylish, plain, or simple).
Finally, 2D animation companies can add other design features, such as facial expressions, to give the viewer visual clues to the character’s personality. At times, they will exaggerate these features to emphasize certain aspects of the character’s personality, or swerve away from strict realism to create cartoon characters that will have greater appeal to the sensibilities of the target audience. Regardless of the specific techniques they use, however, animators will all strive to produce characters that fit comfortably into the purpose and overall feeling of the project.
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